Benito Huerta’s works at the UTSA Gallery are masterfully crafted and, at times, visually stunning. The downfall lies in his attempts to use shock to solicit awe. Huerta resorts to Picasso’s famous “Les Demoiselles d’Avignon,” and descriptions of money. Profanity, a ubiquitous image, sailor tattoos, Pop, politics, and loteria just leaving me asking, so what? Huerta’s reliance on familiarity and obscenity (both real and perceived) amount to a blunt cliché that is no longer shocking.
For the month of July, I will post a synopsis of all CAM art shows in San Antonio. I am reviewing based on the official CAM calendar. If you're having a show-- I will know. You will get the straight dope on what I think of your offerings. If you want to respond to my response--by all means, feel free. Comments are welcome; everyone comment.
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